![]() The current custom error settings for this application prevent the details of the application error from being viewed remotely (for security reasons). Runtime Error Description: An application error occurred on the server. ![]() Written by Justin Monroe ( What Your Favorite Coen Bros.Runtime Error Server Error in '/' Application. If the ever-growing roll call of names is too long to commit to memory, perhaps that in and of itself is reason to do something about the violence that will bleed into my Twitter feed today. Neither will make me remember the names of real-life victims, but maybe that responsibility is mine. I personally enjoy Fargo the film and series a great deal for their storytelling and visuals, and I appreciate the questions that their existences raise. Ultimately, every viewer must answer these questions for themselves. So, is it wrong to be entertained by it? Is it giving into base urges and morbid curiosity? And if real crimes inspire a story without remembering the real victims, is that even more exploitative than the story which at least keeps their memory alive in the 24/7 torrent of tragic news? And what of commerce? After all, no matter the artistic intentions of its creators, no studio or network tells a story unless execs believe they can sell it for profit. You feel the loss when an honest man who’s expecting his first child dies suddenly and violently. When the victims and their survivors are imaginary, the exploitation is of the viewer, who identifies and sympathizes with its victims in a way that transcends the connection they might feel to characters they know to be fictional. But when the story purported to be reality-based is actually fiction, the viewer may feel even more discomfort and guilt while enjoying the entertainment. One may wonder if the truly true crime film or television series is, regardless of its artistic merits, moral. When they meet at the hospital, for example, Lester explains to Lorne that his injuries resulted from the embarrassment he’d caused his longtime bully, Sam Hess ( Kevin O’Grady), by revealing, in front of Sam’s sons, that he married his high school girlfriend, whom Sam had just bragged about getting a handjob from during senior year. tradition of offsetting blood and horror with the humor of dim-witted and inept cops, criminals, and civilians trudging through knee-high snow, offering aw-geez/Pete’s sake “Minnesota nice” sayings that hardly seem to fit their dark circumstances. In another instance, during a traffic stop for speeding, Lorne calmly menaces single father and clock-punching Duluth police officer Gus Grimly ( Colin Hanks) into a decision that will haunt him. Lester is pathetic and ripe for the picking, and Lorne picks and picks until he drags the man down into his world. A meek and unsuccessful insurance salesman in small town Bemidji, he has a disappointed wife, an embarrassed and far more winning younger brother, and a cruel bully from high school who still torments him. John Watson on the BBC show Sherlock and Bilbo Baggins in The Hobbit film series). ![]() One such fellow is Lester Nygaard, played by Martin Freeman (Dr. To those he encounters, he acts as the Devil on their shoulder, manipulating them to see how dark a road he may send them down. Billy Bob Thornton plays Lorne Malvo, a criminal-for-hire who drifts through Minnesota, bringing with him violence and mayhem. The FX series, which features entirely new characters invented by writer Noah Hawley, is a no less effective and enjoyable experience. The true crime device was and is meant to strap viewers in so they will accept twists and turns without being thrown off the ride. The Coens revealed that their story, set in 1987, was fictitious, inspired by several actual cases that they strung together and set in that peculiar polite and snowy state where they grew up. Out of respect for the dead, the rest has been told exactly as it occurred.”Īs in the film, this is a lie. At the request of the survivors, the names have been changed. The events depicted took place in Minnesota in 2006. Like its classic cinematic predecessor, which tells the story of murder and kidnapping for ransom gone horribly wrong, the show (premiering tonight at 10 p.m. As I tore through the first four episodes of Fargo, FX’s engrossing new 10-episode original extension of the Coen Brothers’ Academy Award-winning 1996 black comedy of the same name, I couldn’t help but think about victims and survivors.
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